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“It was very nice to have the ability to flip off my aware mind of ‘How do I really feel?’ and simply write from a personality who I do know precisely how she feels, as a result of I watched the film,” Eilish mentioned. “I by no means would have been in a position to write any of that music if I had tried to be weak about my very own life and expertise, so it was actually an ideal vessel.” The music turned one of many film’s sonic via traces, and elements of the instrumentation had been woven into a number of scenes.
Film soundtracks often appeal to main Grammy consideration: Not too long ago, Kendrick Lamar acquired eight nominations, together with greatest album, for his position as government producer of the LP accompanying “Black Panther.” (The movie took house two Grammys in 2019.) Beyoncé acquired six nominations for her work on “Black Is King” in 2021. (She received two for the movie, which helped give her the report for many Grammy wins by a feminine artist.)
In 2002, the LP accompanying “O Brother, The place Artwork Thou?” received album of the 12 months, a feat beforehand achieved by “The Bodyguard: Authentic Soundtrack Album” in 1994, “Saturday Night time Fever” in 1979 and “The Music From Peter Gunn” in 1959. “The Graduate” and “The Bodyguard” produced report of the 12 months winners in “Mrs. Robinson” and “I Will All the time Love You.”
But the “Barbie” soundtrack is exclusive in that includes so many artists who appeared to intuitively grasp the film’s candy-colored aesthetic and vary of honest moods, starting from the forlorn to the celebratory. The film was final 12 months’s greatest popular culture phenomenon not named Taylor Swift, and the music displays its broad, cross-genre enchantment, together with songs from rappers (Ice Spice), a psych-rock band (Tame Impala), a Latin music famous person (Karol G) and a poppy indie trio (Haim).
Eilish’s “What Was I Made For?” reached No. 14 on Billboard’s Scorching 100, received a Golden Globe final month, and now has the possibility to be the uncommon observe that takes house each music of the 12 months on the Grammys and greatest authentic music on the Oscars — a benchmark reached by crossover hits like Barbra Streisand’s “The Means We Had been” and Celine Dion’s “My Coronary heart Will Go On.”
“The film did carry folks collectively, from totally different walks of life and cross-sections of society — which is like, ‘When’s the final time all of us did that?’” Wyatt mentioned. “That’s a pleasant, celebratory factor to be part of, and it’s good to see that mirrored in no matter’s occurring within the awards class.”
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